We run production for festivals, corporate events, concerts, private parties, and anything in between. Every rig scales to the room — no under-powered PA, no overbuilt stages. Right-sized, road-tested, on time.
Line arrays, point-source mains, and cardioid sub configurations for venues from 300 to 5,000+ capacity. Every system gets room-tuned — not just powered on.
Includes: FOH rig, monitor world, wedges and IEMs, wireless mic packages, DI boxes, stage snake, cabling, distro.
Modular deck staging for indoor builds. Self-contained mobile stages for outdoor events — quick deploy, permit-documented, engineered for Texas weather.
Sizes: 16'×24' up through festival-grade mobile stages with roof systems, wings, and rigging points for line array hang.
FOH and monitor engineers who know when to push and when to leave it alone. Tour-experienced, console-agnostic, and used to riders.
Consoles: DiGiCo, Avid S6L, Yamaha CL/QL/Rivage, Allen & Heath dLive. Virtual soundcheck on request.
Amps, drum kits, keys, and stage hardware — spec'd to the rider, tested before load-out, ready before the artist walks on.
Stock: Guitar and bass amps, full drum kits (various sizes), keyboards and stands, in-ear transmitters, and stage risers.
Multi-track recording off the console, playback rigs for DJs and hybrid sets, time-code sync for bands running tracks.
Formats: Stereo mixdown, multitrack capture (Pro Tools / Waves Tracks Live), Ableton and QLab playback.
Full production management — advance, logistics, power, comms, crew scheduling. One point of contact for everything between the talent and the truck.
Best for: Festivals, corporate activations, private events, and anywhere you want audio, stage, and backline under a single vendor.